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给你点颜色》——北京无界无极生活美学中心<br\/>《光影叙事》北京通州万象汇<br\/>《觉·观》燕郊轻云艺术<br\/>《遇见花开》北京宋庄美术馆<br\/>《百花秘境·心象观止》杭州双观百花艺术中心<br\/><br\/>群展<br\/>《她·视界》北京颂艺术中心<br\/>《对视》燕郊汇福美术馆<br\/>《80后美术新锐作品展》温州美术馆<br\/>《無出左右》燕郊西柳艺术中心<br\/>《法拉利·艺术“家”》北京香奈艺居<br\/>《当代女性艺术联展》燕郊成功文化艺术馆<br\/>《艺术新力量》北京无界无极生活美学中心","video_id":0,"num_liked":"1","num_comment":"0","user":{"uid":137223,"hide_name":"北京藏家","english_name":"","is_artist":0,"uname":"邵琼琼","cover":"137223_12233001","version":"3248","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/137223_3248!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A137223%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A603306%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"2,618"},{"id":602242,"uid":36464,"pics":[{"key":"202512_36464_FtIAa4eKLIkxKzcx_X9dlbZSdHBc_19130241.jpg","w":"1170","h":"1553","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_36464_FtIAa4eKLIkxKzcx_X9dlbZSdHBc_19130241.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_36464_FtIAa4eKLIkxKzcx_X9dlbZSdHBc_19130241.jpg!n1200","k":"202512_36464_FtIAa4eKLIkxKzcx_X9dlbZSdHBc_19130241.jpg"},{"key":"202512_36464_FqDb92FJt5NxwBxdRJO5Upl-bnzl_19130242.jpg","w":"1170","h":"1560","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_36464_FqDb92FJt5NxwBxdRJO5Upl-bnzl_19130242.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_36464_FqDb92FJt5NxwBxdRJO5Upl-bnzl_19130242.jpg!n1200","k":"202512_36464_FqDb92FJt5NxwBxdRJO5Upl-bnzl_19130242.jpg"},{"key":"202512_36464_Fmag2ZwYpjpYqz4Hp_ka17HBhYOM_19130238.jpg","w":"1171","h":"1561","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_36464_Fmag2ZwYpjpYqz4Hp_ka17HBhYOM_19130238.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_36464_Fmag2ZwYpjpYqz4Hp_ka17HBhYOM_19130238.jpg!n1200","k":"202512_36464_Fmag2ZwYpjpYqz4Hp_ka17HBhYOM_19130238.jpg"},{"key":"202512_36464_FsFoZUUbM6y7Ct1n80DHh6Bsgbdw_19130235.jpg","w":"1170","h":"1553","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_36464_FsFoZUUbM6y7Ct1n80DHh6Bsgbdw_19130235.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_36464_FsFoZUUbM6y7Ct1n80DHh6Bsgbdw_19130235.jpg!n1200","k":"202512_36464_FsFoZUUbM6y7Ct1n80DHh6Bsgbdw_19130235.jpg"},{"key":"202512_36464_Ft58OiwFh64t3_QMMkFbDO99SXnr_19130238.jpg","w":"1170","h":"1553","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_36464_Ft58OiwFh64t3_QMMkFbDO99SXnr_19130238.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_36464_Ft58OiwFh64t3_QMMkFbDO99SXnr_19130238.jpg!n1200","k":"202512_36464_Ft58OiwFh64t3_QMMkFbDO99SXnr_19130238.jpg"},{"key":"202512_36464_FkgqI_2RG5oWyCmrry39fg-3Ok3l_19130240.jpg","w":"1170","h":"1560","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_36464_FkgqI_2RG5oWyCmrry39fg-3Ok3l_19130240.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_36464_FkgqI_2RG5oWyCmrry39fg-3Ok3l_19130240.jpg!n1200","k":"202512_36464_FkgqI_2RG5oWyCmrry39fg-3Ok3l_19130240.jpg"},{"key":"202512_36464_Fq2AIVURGDC8P56zpfSbJc-wS9JX_19130232.jpg","w":"1170","h":"1553","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_36464_Fq2AIVURGDC8P56zpfSbJc-wS9JX_19130232.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_36464_Fq2AIVURGDC8P56zpfSbJc-wS9JX_19130232.jpg!n1200","k":"202512_36464_Fq2AIVURGDC8P56zpfSbJc-wS9JX_19130232.jpg"}],"mtime":1766120700,"content":"又是一组致敬经典的作品！<br\/>对维米尔的《戴珍珠耳环的少女》，我总有着别样的偏爱。此前的致敬系列，我执着于自我意识的表达，轻外形，重意象；而这一次，我尽量和原作的形靠近，再将我一贯追求的女性精神气质一点点揉进侧脸的神态里。<br\/>画完这幅对着画面发呆，突然被那颗悬在耳际的珍珠勾了神。它在画里的份量，早超过了一枚装饰，于是又有了这颗单独的珍珠。<br\/>一大一小，一静一动。是致敬，也是我和经典的小小互动。<br\/>希望这粒珍珠，既装得下我的艺术表达，也盛得下经典的美。","video_id":0,"num_liked":"1","num_comment":"0","user":{"uid":36464,"hide_name":"广西藏家","english_name":"","is_artist":0,"uname":"杨茹","cover":"36464_16101006","version":"02121426","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/36464_02121426!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A36464%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A602242%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"4,836"},{"id":548596,"uid":9257,"pics":[{"key":"9257_FlDOX6rWMjqL0-Qrk_Iemc3Uo_Ba_20221250.jpg","w":"1179","h":"1867","bj":"84a17b","src":"http:\/\/img15.artand.cn\/9257_FlDOX6rWMjqL0-Qrk_Iemc3Uo_Ba_20221250.jpg!n720","big_src":"http:\/\/img15.artand.cn\/9257_FlDOX6rWMjqL0-Qrk_Iemc3Uo_Ba_20221250.jpg!n1200","k":"9257_FlDOX6rWMjqL0-Qrk_Iemc3Uo_Ba_20221250.jpg"},{"key":"9257_FtXs9uLRpwLgdCMYyOzcztJFjJ76_20221250.jpg","w":"1162","h":"1704","bj":"84a17b","src":"http:\/\/img15.artand.cn\/9257_FtXs9uLRpwLgdCMYyOzcztJFjJ76_20221250.jpg!n720","big_src":"http:\/\/img15.artand.cn\/9257_FtXs9uLRpwLgdCMYyOzcztJFjJ76_20221250.jpg!n1200","k":"9257_FtXs9uLRpwLgdCMYyOzcztJFjJ76_20221250.jpg"},{"key":"9257_FhQyZXZJROo3w8Rn8N6yn6KZRZNd_20221250.jpg","w":"1078","h":"1595","bj":"84a17b","src":"http:\/\/img15.artand.cn\/9257_FhQyZXZJROo3w8Rn8N6yn6KZRZNd_20221250.jpg!n720","big_src":"http:\/\/img15.artand.cn\/9257_FhQyZXZJROo3w8Rn8N6yn6KZRZNd_20221250.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the beginning of 2025, through conversations with ELLE, we aim to convey our perspectives and attitudes towards art and life, allowing the audience to see a diverse and vibrant portrayal of women.<br\/><br\/>Life is a magical experience, and each individual's journey is a grand narrative.<br\/><br\/><a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23elle\" class=\"tag\">#elle<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23ellewonderwoman\" class=\"tag\">#ellewonderwoman<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E6%9D%A8%E5%A9%89\" class=\"tag\">#杨婉<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E8%89%BA%E6%9C%AF%E4%B8%8E%E5%95%86%E4%B8%9A\" class=\"tag\">#艺术与商业<\/a>","video_id":0,"num_liked":"5","num_comment":"0","user":{"uid":9257,"hide_name":"太平洋藏家","english_name":"","is_artist":0,"uname":"杨婉","cover":"9257_08143731","version":"21222812","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/9257_21222812!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A9257%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A548596%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"2,661"},{"id":590351,"uid":32787,"pics":[{"key":"202510_32787_Fn_ILuEf3bH_YIkk_6N5fxeinRxb_13134419.jpg","w":"690","h":"518","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_32787_Fn_ILuEf3bH_YIkk_6N5fxeinRxb_13134419.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_32787_Fn_ILuEf3bH_YIkk_6N5fxeinRxb_13134419.jpg!n1200","k":"202510_32787_Fn_ILuEf3bH_YIkk_6N5fxeinRxb_13134419.jpg"}],"mtime":1760334268,"content":"<a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E5%BC%82%E6%83%B3%E4%B8%96%E7%95%8C\" class=\"tag\">#异想世界<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E7%BB%BC%E5%90%88%E6%9D%90%E6%96%99\" class=\"tag\">#综合材料<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E6%88%91%E6%89%80%E6%B2%89%E8%BF%B7%E7%9A%84%E5%B0%8F%E4%BC%97%E8%89%BA%E6%9C%AF\" class=\"tag\">#我所沉迷的小众艺术<\/a> <br\/>\/<br\/>《He》二版⚪️🫧<br\/>“虽然“不寻找，就是最好的寻找方式”这个想法略显奇怪，带有些许随缘的禅意，但它确实已经潜伏在我们文化的某些角落。不是你找到了爱，而是爱找到了你。”<br\/><a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E5%BD%93%E7%86%9F%E6%82%89%E7%9A%84%E6%97%8B%E5%BE%8B%E5%93%8D%E8%B5%B7\" class=\"tag\">#当熟悉的旋律响起<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E6%B5%85%E6%B5%85%E7%9A%84%E6%9B%B4%E4%B8%AA%E6%96%B0\" class=\"tag\">#浅浅的更个新<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E5%A5%B3%E6%80%A7%E8%89%BA%E6%9C%AF%E5%AE%B6%5B%E5%91%B2%E7%89%99%5D\" class=\"tag\">#女性艺术家[呲牙]<\/a>","video_id":0,"num_liked":"2","num_comment":"0","user":{"uid":32787,"hide_name":"浙江藏家","english_name":"","is_artist":0,"uname":"徐小凤","cover":"32787_04064611","version":"12134050","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/32787_12134050!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A32787%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A590351%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"37"},{"id":591010,"uid":571273,"pics":[{"key":"202510_571273_FlzJGa6BqPa_WrBprW03GUGWe5eV_17104124.jpg","w":"1291","h":"1613","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_571273_FlzJGa6BqPa_WrBprW03GUGWe5eV_17104124.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_571273_FlzJGa6BqPa_WrBprW03GUGWe5eV_17104124.jpg!n1200","k":"202510_571273_FlzJGa6BqPa_WrBprW03GUGWe5eV_17104124.jpg"},{"key":"202510_571273_FmLO5KdzfVuUIPCMNQ2TuNiWbTro_17104124.jpg","w":"2402","h":"1502","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_571273_FmLO5KdzfVuUIPCMNQ2TuNiWbTro_17104124.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_571273_FmLO5KdzfVuUIPCMNQ2TuNiWbTro_17104124.jpg!n1200","k":"202510_571273_FmLO5KdzfVuUIPCMNQ2TuNiWbTro_17104124.jpg"},{"key":"202510_571273_FqJSq_HHsDvTrdW54jq_reTyenAF_17104124.jpg","w":"2402","h":"1502","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_571273_FqJSq_HHsDvTrdW54jq_reTyenAF_17104124.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_571273_FqJSq_HHsDvTrdW54jq_reTyenAF_17104124.jpg!n1200","k":"202510_571273_FqJSq_HHsDvTrdW54jq_reTyenAF_17104124.jpg"},{"key":"202510_571273_FqzY3Dm-abZmAas9Eg0U2aXMAE33_17104124.jpg","w":"2402","h":"1502","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_571273_FqzY3Dm-abZmAas9Eg0U2aXMAE33_17104124.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_571273_FqzY3Dm-abZmAas9Eg0U2aXMAE33_17104124.jpg!n1200","k":"202510_571273_FqzY3Dm-abZmAas9Eg0U2aXMAE33_17104124.jpg"},{"key":"202510_571273_FrqlonWHdeo3N_ScUeviHIezS4AI_17104124.jpg","w":"2402","h":"1502","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_571273_FrqlonWHdeo3N_ScUeviHIezS4AI_17104124.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_571273_FrqlonWHdeo3N_ScUeviHIezS4AI_17104124.jpg!n1200","k":"202510_571273_FrqlonWHdeo3N_ScUeviHIezS4AI_17104124.jpg"},{"key":"202510_571273_FrH7cNlkn4_NcdK31B2CQGPDze8i_17104124.jpg","w":"2402","h":"1502","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_571273_FrH7cNlkn4_NcdK31B2CQGPDze8i_17104124.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_571273_FrH7cNlkn4_NcdK31B2CQGPDze8i_17104124.jpg!n1200","k":"202510_571273_FrH7cNlkn4_NcdK31B2CQGPDze8i_17104124.jpg"},{"key":"202510_571273_FnWxcqmT3u-TkzUvUYqXGx3FCYtr_17104124.jpg","w":"2402","h":"1502","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_571273_FnWxcqmT3u-TkzUvUYqXGx3FCYtr_17104124.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_571273_FnWxcqmT3u-TkzUvUYqXGx3FCYtr_17104124.jpg!n1200","k":"202510_571273_FnWxcqmT3u-TkzUvUYqXGx3FCYtr_17104124.jpg"},{"key":"202510_571273_FjVFD2S02rkfePJ3IlCOO1_CWt0X_17104124.jpg","w":"2402","h":"1502","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202510_571273_FjVFD2S02rkfePJ3IlCOO1_CWt0X_17104124.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202510_571273_FjVFD2S02rkfePJ3IlCOO1_CWt0X_17104124.jpg!n1200","k":"202510_571273_FjVFD2S02rkfePJ3IlCOO1_CWt0X_17104124.jpg"}],"mtime":1760668897,"content":"<a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E7%94%BB%E4%BA%8B%E7%82%B9%E6%BB%B4\" class=\"tag\">#画事点滴<\/a> <br\/><br\/>翻看2024年的画作，我意识到这一年是一个“播种期”。这一年的作品，是深扎于传统土壤中的根须，默默汲取着叙事与情感的养分。<br\/><br\/>上半年，我沉浸在东西方神话的改编与重构中。<br\/><br\/>《Ebriety》和《The Crimson Pearl》像是用油彩重写的民间故事。画面中身着传统服饰的女性、中式建筑与绚烂花卉，并非怀旧，而是对“文化基因”的视觉解剖。<br\/><br\/>我尝试将硫磺熏制的铜箔融入油画，让材质本身携带时间痕迹，探讨记忆如何在这个时代被重新编码。<br\/><br\/>年中开始，超自然生物逐渐走入画面，试探现实与幻想的边界。《Etoffe》中人物与龙形生物的凝视、《Shepherdess》里牧羊女与羔羊的依偎，乃至《Mirage》系列中头部幻化为水母的异化生命，都在实践一种“共生美学”。<br\/><br\/>这些形象不是怪诞的异类，而是生命联结的隐喻——个体与自然、肉体与意识、传统与未来之间，那些未被言说的可能性。<br\/><br\/>年末的《Alice》《Olfaction》等小尺幅作品，则转向内在的灵性探索。闭目的孩童、嗅花的瞬间、星空下的静默……这些画面剥离了宏大叙事，捕捉个体在成长中与自然、与自我对话的微妙时刻。泼墨涂层营造的朦胧质感，恰如意识与物质世界交界处的薄雾。<br\/><br\/>这一年的创作，表面是神话与奇幻，内核却始终指向同一个命题：生命形态的流动性与联结的本质。<br\/><br\/>我用水母触须般的透明感、龙鳞的光泽、花卉的荧光色，悄悄埋下今后创作的视觉伏笔——生命终将突破固有形态，在交融中获得新生。<br\/><br\/>2024年，我像一名炼金术士，将古典符号、自然灵性与当代材质熔于一炉。这一切练习，都是为后续的创作路径锻造一套充满温度与灵性的视觉语法。","video_id":0,"num_liked":"41","num_comment":"0","user":{"uid":571273,"hide_name":"上海","english_name":"","is_artist":0,"uname":"陈张鑫","cover":"571273_18141017","version":"18141108","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/571273_18141108!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A571273%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A591010%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"11,834"},{"id":603406,"uid":68906,"pics":[{"key":"202512_68906_FvSIxqsTT-EFqlg1N0PiCUaqw8Fh_24234013.jpg","w":"1300","h":"2160","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_FvSIxqsTT-EFqlg1N0PiCUaqw8Fh_24234013.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_FvSIxqsTT-EFqlg1N0PiCUaqw8Fh_24234013.jpg!n1200","k":"202512_68906_FvSIxqsTT-EFqlg1N0PiCUaqw8Fh_24234013.jpg"},{"key":"202512_68906_llOeaEglhyfwt2Qp_Q1Lz2OoP-Y3_24234215.JPG","w":"6240","h":"4160","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_llOeaEglhyfwt2Qp_Q1Lz2OoP-Y3_24234215.JPG!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_llOeaEglhyfwt2Qp_Q1Lz2OoP-Y3_24234215.JPG!n1200","k":"202512_68906_llOeaEglhyfwt2Qp_Q1Lz2OoP-Y3_24234215.JPG"},{"key":"202512_68906_lkZsl0xTHdCVmgcvNbWguMXjq6xw_24234216.JPG","w":"6240","h":"4160","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_lkZsl0xTHdCVmgcvNbWguMXjq6xw_24234216.JPG!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_lkZsl0xTHdCVmgcvNbWguMXjq6xw_24234216.JPG!n1200","k":"202512_68906_lkZsl0xTHdCVmgcvNbWguMXjq6xw_24234216.JPG"},{"key":"202512_68906_ljdPYsS0-rLCrCPBBCW-q-axE7O__24234216.JPG","w":"6240","h":"4160","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_ljdPYsS0-rLCrCPBBCW-q-axE7O__24234216.JPG!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_ljdPYsS0-rLCrCPBBCW-q-axE7O__24234216.JPG!n1200","k":"202512_68906_ljdPYsS0-rLCrCPBBCW-q-axE7O__24234216.JPG"},{"key":"202512_68906_FjaSN43bCeA_o0AcY2YUcjCHuVlI_24234211.jpg","w":"1706","h":"1279","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_FjaSN43bCeA_o0AcY2YUcjCHuVlI_24234211.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_FjaSN43bCeA_o0AcY2YUcjCHuVlI_24234211.jpg!n1200","k":"202512_68906_FjaSN43bCeA_o0AcY2YUcjCHuVlI_24234211.jpg"},{"key":"202512_68906_FlgeeefSdU_DDnO18t5BtJw4nOUl_24234211.jpg","w":"1706","h":"1279","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_FlgeeefSdU_DDnO18t5BtJw4nOUl_24234211.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_FlgeeefSdU_DDnO18t5BtJw4nOUl_24234211.jpg!n1200","k":"202512_68906_FlgeeefSdU_DDnO18t5BtJw4nOUl_24234211.jpg"},{"key":"202512_68906_FugV0TjGCRIJ4MuJbP-b79M1xrT-_24234211.jpg","w":"1706","h":"1279","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_FugV0TjGCRIJ4MuJbP-b79M1xrT-_24234211.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_FugV0TjGCRIJ4MuJbP-b79M1xrT-_24234211.jpg!n1200","k":"202512_68906_FugV0TjGCRIJ4MuJbP-b79M1xrT-_24234211.jpg"},{"key":"202512_68906_lmynOYBDyohfPSL6Bm5tmkenpvW9_24234215.JPG","w":"6240","h":"4160","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_lmynOYBDyohfPSL6Bm5tmkenpvW9_24234215.JPG!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_lmynOYBDyohfPSL6Bm5tmkenpvW9_24234215.JPG!n1200","k":"202512_68906_lmynOYBDyohfPSL6Bm5tmkenpvW9_24234215.JPG"},{"key":"202512_68906_Fk4GLwiTimc9NX1cmYPC0sLSjE79_24234212.jpg","w":"1706","h":"1279","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202512_68906_Fk4GLwiTimc9NX1cmYPC0sLSjE79_24234212.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202512_68906_Fk4GLwiTimc9NX1cmYPC0sLSjE79_24234212.jpg!n1200","k":"202512_68906_Fk4GLwiTimc9NX1cmYPC0sLSjE79_24234212.jpg"}],"mtime":1766590942,"content":"段初一水墨个展《淬火集·墨问金声》于杭州东街6号美术馆启幕<br\/><br\/><br\/><br\/>展览时间：2025年11月9日 — 11月30日<br\/><br\/>展览地点：杭州西湖区转塘象山国际艺术区1号楼 东街6号美术馆<br\/><br\/><br\/><br\/>2025年11月9日，艺术家段初一的水墨个展《淬火集·墨问金声》于杭州东街6号美术馆正式开幕。本次展览由单增教授担任学术支持，东街6号美术馆出品，集中呈现艺术家近年来在水墨创作领域的探索与突破，以“淬火”为精神提纯，以“墨问”为艺术自觉，展开一场传统水墨与当代视觉语言的深度对话。<br\/><br\/><br\/><br\/><br\/><br\/><br\/>墨火相生：传统与当代的融合<br\/><br\/>《淬火集·墨问金声》延续了段初一对水墨本体语言的精研，在笔韵墨章中坚守中国画的内在文脉与气度，同时以火焰、金彩、凤凰、丹桃等意象，赋予水墨以当代的诗意与视觉张力。展览中，黑与白构筑出静谧深沉的基调，而流动的金色、朱砂与灵蛇等元素，则成为画面中温暖而璀璨的亮点。艺术家通过夸张与重构的人物造型，在古典意蕴中注入当代情感，形成既熟悉又陌生的审美体验。<br\/><br\/><br\/><br\/><br\/><br\/>中国美院单增教授评论<br\/><br\/>“纵观段初一的艺术履痕，插画专业的学习，造就了其绘画一直游离于图像与文本的叙事交织。因为当语言变成图像，图像即是语言。“之于观者，每一个画面都是在无限讲述，之于画者，每一件作品都是在无尽表达。”水墨绘画具有可控与不可性以及偶然性。她敏感的意识到水和墨在主观情绪控制下呈现出的复杂变化，可以很贴切的表达出内心世界的复杂情感-单纯、随性、多变、已知与未知。从最初的《浪漫的骨头》系列开始，她就致力于通过绘画对普遍人性进行揭示。她的每一件作品都试图表达一种与被挤压的个体心理空间与社会环境对抗的能量，更是与自我内心的博弈。其表现女性的水墨人物，不只是自身作为女性身份的生命感知，也是其精神世界的真实写照。她的作品对眼睛和脸部结构刻画落墨较多，丰富的线性语言吸引着观者与其凝视。睁大的瞳孔有着德国表现主义式的冷峻意味-忧郁、暗淡、苍寂略带怯懦，透露出隐约的不安，潜藏着漩涡般的无力量，让人窒息梦魇，如黑洞般吞噬而无法逃逸。当画面中的眼神触动我们的视觉神经的瞬间，会即刻溅起震撼心灵的波澜与散发灼热温度的火焰。在她的视觉逻辑里世界被还原为最纯粹极致的白与黑，当晕染的墨色随着略带神经质的潜意识自主宣泄，孑然倾入的思想意识，散发弥漫着有意味的内心旨趣与狂烈呐喊。她不再将唯美作为唯一准则，而是以一种独特而微妙的共情，探讨那些被社会、历史或文化压抑的忌讳话题。通过水墨的黑白交织表达出当下被抑制的内心感受。荣格曾说：“阴影中也包含着未被意识到的力量与潜能”。初一以女性的敏感勇敢地走入这些被忽视的领域，将无以言说转化为图像能量，构建深刻且真实的自我。在宣纸与水墨的世界里充满初一自觉的诗性叙事。”<br\/><br\/>从“深髓”到“淬火”：创作脉络的演进<br\/><br\/>作为三年前《深髓入境》系列的延续与升华，本次展览标志着段初一从向内探求的“精神髓核”，转向更具开放性的“淬火”锤炼。她将水墨视为发问的媒介，在观念与时间的火焰中反复锻打，寻求传统体系之外的铿锵回响。作品中，青花、扇影、珠翠等传统元素被转化为当代文化精神的转译，而非符号的简单挪用，体现出艺术家对东方美学内核的深入理解与创造性转化。<br\/><br\/><br\/><br\/><br\/><br\/>情感与哲思：水墨的当代回响<br\/><br\/>段初一的创作始终关注个体在时代中的精神困境与内在博弈。其笔下人物眼神中蕴藏的忧郁与冷峻，墨色氤氲中透出的焦虑与渴望，均成为情感与社会的隐喻。单增教授在评论中指出，她的作品“不仅传承水墨遗产，更以陌生的面孔直面心灵阴霾”，在黑白交织的视觉逻辑中，构建出充满诗性力量的情感场域。<br\/><br\/><br\/><br\/><br\/><br\/><br\/><br\/>展览信息<br\/><br\/>《淬火集·墨问金声》不仅是段初一艺术生涯的重要节点，也是水墨在当代语境中持续生长的一次实践。展览将于2025年11月9日下午开幕，展期至11月30日，诚邀艺术爱好者与各界同仁莅临参观，共同见证水墨艺术在淬火中焕发的金声玉振。<br\/><br\/><br\/><br\/><br\/><br\/>艺术家简介<br\/><br\/>段初一，出生于黑龙江鹤岗，2011年毕业于中国美术学院插画专业，现居杭州从事当代水墨创作。其作品以水墨为媒介，融合插画叙事与表现主义语言，致力于探索传统笔墨与当代情感、哲思的连接，在国内多次展出并受到广泛关注。<br\/><br\/>艺术家自序<br\/><br\/>回溯三年前的《深髓入境》，那是一次向内行走的尝试。彼时我所关注的，是水墨材质本身所蕴含的厚重能量与无限纵深，试图在笔与纸的触碰间，抵达一种超越物象的“精神髓核”。这一系列作品，多源自被挤压的个体心理空间与外部环境的对抗，也部分承载了疫情期间所触发的内在博弈与自省。那是一个在冲突中内观的过程，是不稳定的感性冲击与理性自持的交替。画面在静默中渗透着某种不安的隐秘，仿佛在混沌的墨象中，寻找灵魂的原点。那段对水墨本体语言纯粹性的探索，对我而言，是至关重要的一次沉淀与筑基。<br\/><br\/>此次《淬火集·墨问金声》的呈现，在延续那份神秘与静谧的基础上，进一步走向视觉的淬炼与诗意的再生。如果说“深髓”是向内探求本质的幽暗旅程，那么“淬火”则是将寻得的灵性，置于观念与时间的火焰中反复锻打，使其发出光来。墨，更成为一种发问的媒介；而“金声”，既是对金色等色彩介入水墨的审慎尝试，也隐喻着在传统水墨体系之外，寻求一种新的、或许略带铿锵的回应。<br\/><br\/>在笔墨语言上，我延续了对水、墨、纸、绢四者关系的精微控制，力求每一笔皆含呼吸与骨力。不同之处，在于形象体系的构建——凤凰、丹桃、人物乃至金色火焰与灵蛇，这些意象并非对传统的简单复写，而是试图在古典精神与当代感知的碰撞中，编织一幕含蓄而富有生趣的叙事。人物情态在夸张中带着朦胧，在含蓄中透出温度，既有古典生活的雅意，亦含当代生命的诘问。我希望画面不仅是观念的载体，更是情感与文化的细腻回响，在神秘中透出几分可亲的古雅与生机。<br\/><br\/>从“深髓”的孤独旨趣到“淬火”的诗意绽放，我的创作始终围绕一个核心：水墨如何在当代持续生长，既葆有它最核心的文化品格，又焕发属于此时此地的生命力。这条路途漫漫，我仍是一名学生与践行者。感谢各位师友同仁一路以来的指教与陪伴，愿此次展览中这些略带微光的作品，能引发更多关于水墨未来的共鸣与思辨。<br\/><br\/>段初一<br\/><br\/>乙巳年 于杭州<br\/><br\/><br\/><br\/><br\/> ","video_id":0,"num_liked":"4","num_comment":"0","user":{"uid":68906,"hide_name":"浙江藏家","english_name":"","is_artist":0,"uname":"段初一","cover":"68906_03022851","version":"02134828","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/68906_02134828!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A68906%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A603406%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"6,411"},{"id":640104,"uid":1543,"pics":[],"mtime":1787740435,"content":"2026深入访谈\/<br\/>从企鹅IP到千万级市场：刘清路谈艺术创作的“四阶蜕变”与商业底层逻辑<br\/>采访、撰文 \/ AnneXu<br\/>受访人 \/ 刘清路（当代艺术家）<br\/><br\/>二十余年艺术生涯，从文字转译到企鹅IP，再到《圈层秩序》与《巨型沉默物》，刘清路完成了一场从直觉表达到哲学思辨的深度进化。<br\/>与此同时，他从一个“无人问津”的创作者，成长为作品单价突破百万、年销售额达千万级的市场型艺术家。<br\/>2025年美伊战争期间，他在迪拜山顶完成了对抗虚无主义的《西西弗斯计划》，将金色雕塑推上山顶再任其滚落——这件行为艺术作品，成为他回应时代情绪的又一力作。<br\/>在迪拜、北京、上海之间穿梭的他，如何看待艺术与商业的共生关系？又如何理解当下中国艺术界的结构性变化？这一次，我们聊了三个小时。<br\/>01 | 四阶段心路：从“文字母体”到“巨型沉默物”<br\/>AnneXu：很多艺术家不愿意把自己的创作路径拆解得这么清晰，但你却主动划分了四个阶段。为什么？<br\/>刘清路：因为每一个阶段都是一次“生死突围”。其实是自己对自己的生命记录。<br\/>第一阶段，我称之为“直觉转译与文字母体”。<br\/>我从小对自然变化特别敏感，森林里的四季、光影、风的方向，这些东西对我来说就是一种原始的语言。我从小学三年级开始每天写日记，一写就是七年，文字成为我最早的表达母体，也尝试过写剧本、做导演。但最后发现，文字对我来说是母体，而绘画是我把母体转译成视觉的方式。<br\/>AnneXu：所以文字是你所有创作的起点？<br\/>刘清路：对。我的画里一直有一种“叙事性”，哪怕后来画企鹅，也不是单纯画一只动物，而是在讲故事。<br\/>第二阶段是“IP构建与商业破局”。2012年到2013年，艺术电商刚刚起来，我做了两件事：第一，选了企鹅作为核心IP——因为它直立行走，有拟人化的天然优势；第二，大量上传作品，占领平台流量。那叫“互联网圈地运动”。结果就是从无人问津到“逢投必中”。<br\/>AnneXu：听起来像一场精准的互联网战役。<br\/>刘清路：没错。2019年跟腾讯合作个展，价格从1万跳到10万。疫情那两年，大家都在线上，我在Artand上做到了百万级销售额。那不是运气，是提前布局。<br\/>第三阶段是“世界观构建与圈层秩序”。我从农村到县城、到省会、到北京、再到迪拜，这四级跳让我对社会结构特别敏感。于是创作了《圈层秩序》系列，把社会分成8个类别——民族、战争、国际关系等。2023年在宋庄当代艺术文献馆做展，单幅作品突破百万。<br\/>第四阶段是“生命哲思与巨型沉默物”。2008年父亲去世，那是个巨大的创伤。我未能见到他最后一面，那种遗憾和愧疚经过10年的沉淀，在迪拜期间转化为《巨型沉默物》系列，主体颜色是深灰，搭配各种灰色组合，那种虚无和阴冷，源于对父亲的念想，探讨生命、死亡和文明的沉默。<br\/>AnneXu：听起来每个阶段都有一次“外部事件”在推动你。<br\/>刘清路：嗯，艺术家的成长，从来不是内部进化，而是被现实逼出来的。<br\/>02 | 美伊战争期间的《西西弗斯计划》<br\/>AnneXu：2025年美伊战争期间，你在迪拜做了《西西弗斯计划》，能详细讲讲吗？<br\/>刘清路：2025年，美伊冲突升级，整个中东地区笼罩在战争的阴影下。那段时间，我在迪拜的工作室窗外，每天都能看到关于战争的新闻。与此同时，全球经济下行，艺术市场也陷入低迷。<br\/>我一直在思考一个问题：当外部世界陷入混乱，个体该如何自处？疫情、战争、经济危机——这些宏大的外部事件让个体变得渺小，虚无主义情绪蔓延。就像我在《巨型沉默物》系列创作手记中写的：“起死回生的世界，呈现的是残破的山，剩余的水。这些时间促成的人类族群的事件，仿若巨型沉默物，横跨在时空之中。无言，静默，却有着无可撼动的永恒感。”<br\/>于是我想到了西西弗斯——那个被诸神惩罚，永远推石上山、石头又永远滚落的希腊神话人物。加缪说，西西弗斯是幸福的，因为“登上顶峰的斗争本身足以充实人的心灵”。<br\/>我把一尊金色雕塑推上迪拜的山顶，然后让它滚落下来。这个行为本身是对“推石上山”神话的具象化呈现，也是对虚无主义的直接回应——承认荒诞，依然前行。<br\/>AnneXu：为什么选择在战争期间做这个作品？<br\/>刘清路：正因为战争让人们感到无力。我需要用行动告诉大家：即便在看似徒劳的重复中，人依然可以选择自己的态度。这是迪拜给我的启发——这座沙漠中凭空建起的城市本身，就是对“虚无”最有力的对抗。<br\/>03 | 商业逻辑：故事是宗教，金钱是数值链接<br\/>AnneXu：很多人对“艺术商业化”有偏见，但你似乎很坦然地接受甚至拥抱它。<br\/>刘清路：因为我不把商业当敌人，我把它当作“传播的加速器”。<br\/>艺术IP的本质是什么？是构建一个像宗教或国家一样的叙事。基督教、儒家、道家，本质上都是“讲了一个好故事”，然后让人相信。<br\/>当代艺术也一样。<br\/>AnneXu：那金钱在其中扮演什么角色？<br\/>刘清路：金钱是“数值链接”。一个普通人看不懂一幅画，但他看得懂拍卖行上的数字。100万、1000万——那个数字帮他快速“理解”了这个艺术品的价值。金钱不是目的，但它是连接艺术和大众最短的那座桥。<br\/>AnneXu：你提到比特币的例子，能展开说说吗？<br\/>刘清路：比特币的叙事是“去中心化”，很酷、很有反叛精神。但最后它被主流资本“收编”了——这就是当代艺术的典型路径：你先用边缘叙事吸引注意力，然后被主流体系接纳，价格上升，市场扩大。这不是背叛，是成熟。<br\/>04 | 行业趋势：三大现象与地域性未来<br\/>AnneXu：站在2026年，你怎么看当下的中国艺术界？<br\/>刘清路：有三个现象特别值得关注。<br\/>第一，“质感团体”崛起。80后、90后艺术家用极致的写实技术，画玻璃、不锈钢、气球、水珠——他们用技术建立壁垒。这是一种“硬核”的突围方式。<br\/>第二，女性藏家与艺术家抬头。全球女权主义浪潮推动了这一点。我预测如果美国出现女性总统，女性艺术市场会迎来新一轮爆发。这不是政治，是结构性的消费力转移。<br\/>第三，虚无主义下的精神消费。你看现在年轻人追捧打破规则的文艺作品，这跟100年前欧洲战后的虚无主义情绪一模一样。经济下行期，人们需要精神上的“出格”。而《西西弗斯计划》正是对这种时代情绪的艺术回应。<br\/>AnneXu：你长期在迪拜和中国之间往返，地域性对你的创作影响大吗？<br\/>刘清路：迪拜在石油之前是珍珠采集地，文化里带着海盗和殖民地的双重基因。那种“从无到有”的野蛮生长感，跟中国的农耕文明完全是两套逻辑。<br\/>05 | 语言即世界，记录即世界<br\/>AnneXu：你刚才提到地域文化被什么记录下来？<br\/>刘清路：语言文字。语言和艺术本质相同，都是记录人类文化集合的载体，让我们能用千年的智慧对抗当下。<br\/>维特根斯坦说“语言即世界”——这有两个方向：一是千年的文字记录形成了地区的文化习惯；二是每个人对世界的表达，只要未被语言记录，就等于不存在。所以，一个地区的语言决定其艺术表达模式。语言即世界，艺术直觉即世界。未来的人看见的世界，正是我们今天输出的文化记录，包括艺术记录。<br\/>AnneXu：最后一句话总结二十年艺术生涯？<br\/>刘清路：艺术不是表达，是生存。每一次风格转变，都是一次活下来的选择。而商业，是让你活下来后被更多人看见的方式。<br\/>采访后记<br\/>三个小时的对话中，刘清路展现出一种罕见的清醒——既不神化艺术，也不贬低商业，而是把两者当作同一件事的两面：传播与共鸣。从直觉转译到语言即世界，从企鹅IP到《西西弗斯计划》，整篇访谈始于故事，终于哲思，首尾相连。","video_id":70724,"num_liked":"0","num_comment":"0","video":{"poster":"https:\/\/vod-thumbnail.artand.cn\/1543_70724_0_lgYRDu2EhMqgTNJOgLJa6qbzUFyf!n720","src":"https:\/\/vod.artand.cn\/v\/1543_lgYRDu2EhMqgTNJOgLJa6qbzUFyf.mp4?v=3","w":1080,"h":1920,"id":70724,"is_rotate":0,"short_src":"http:\/\/img21.artand.cn\/1543_lgYRDu2EhMqgTNJOgLJa6qbzUFyf_26183352.mp4?start=0&end=5","duration":"23.30","frame":"0.000","mtime":1787740432,"key":70724},"user":{"uid":1543,"hide_name":"阿联酋藏家","english_name":"","is_artist":0,"uname":"刘清路","cover":"1543_09071320","version":"21141939","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/1543_21141939!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A1543%7D","is_follow":"00"},"scheme":"artand:\/\/video\/list?args=%7B%22id%22%3A70724%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"641"}],"last_id":0,"duration":0.10175895690917969}