{"code":1000,"list":[{"id":543156,"uid":40619,"pics":[],"mtime":1737441307,"content":"‌红色背景下的马象征着力量、勇气、喜庆、成功和吉祥。‌红色是一种充满活力和激情的颜色，而马则被视为强壮和敏捷的动物，因此红色和马代表力量和勇气。","video_id":59294,"num_liked":"2","num_comment":"0","video":{"poster":"http:\/\/img21.artand.cn\/40619_lmAENy4hNNKU2UMtWTryTh3lBORb_21143501.mp4!n720","src":"http:\/\/img21.artand.cn\/40619_lmAENy4hNNKU2UMtWTryTh3lBORb_21143501.mp4","w":2160,"h":3840,"id":59294,"is_rotate":0,"short_src":"http:\/\/img21.artand.cn\/40619_lmAENy4hNNKU2UMtWTryTh3lBORb_21143501.mp4?start=0&end=5","duration":"64.98","frame":"0.000","mtime":1737441301,"key":59294},"user":{"uid":40619,"hide_name":"浙江藏家","english_name":"","is_artist":0,"uname":"李旦晶","cover":"40619_18172545","version":"19204928","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/40619_19204928!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A40619%7D","is_follow":"00"},"scheme":"artand:\/\/video\/list?args=%7B%22id%22%3A59294%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"8,704"},{"id":299366,"uid":763314,"pics":[{"key":"763314_ltpbTWxIKA7mn-xV0aJ4FLIo3TZB_04164542","w":"3261","h":"2208","bj":"84a17b","src":"http:\/\/img15.artand.cn\/763314_ltpbTWxIKA7mn-xV0aJ4FLIo3TZB_04164542!n720","big_src":"http:\/\/img15.artand.cn\/763314_ltpbTWxIKA7mn-xV0aJ4FLIo3TZB_04164542!n1200","k":"763314_ltpbTWxIKA7mn-xV0aJ4FLIo3TZB_04164542"},{"key":"763314_Fpw09IpuivolujXDd9ZQjjX88xhE_04164538","w":"3024","h":"3024","bj":"84a17b","src":"http:\/\/img15.artand.cn\/763314_Fpw09IpuivolujXDd9ZQjjX88xhE_04164538!n720","big_src":"http:\/\/img15.artand.cn\/763314_Fpw09IpuivolujXDd9ZQjjX88xhE_04164538!n1200","k":"763314_Fpw09IpuivolujXDd9ZQjjX88xhE_04164538"},{"key":"763314_Fh5dcF9usFBwXG0oEX70XlOe_9uD_04164541","w":"3024","h":"3024","bj":"84a17b","src":"http:\/\/img15.artand.cn\/763314_Fh5dcF9usFBwXG0oEX70XlOe_9uD_04164541!n720","big_src":"http:\/\/img15.artand.cn\/763314_Fh5dcF9usFBwXG0oEX70XlOe_9uD_04164541!n1200","k":"763314_Fh5dcF9usFBwXG0oEX70XlOe_9uD_04164541"},{"key":"763314_FsqASyXRx07jWENBVqs4IuSLCGlb_04164541","w":"3264","h":"1836","bj":"84a17b","src":"http:\/\/img15.artand.cn\/763314_FsqASyXRx07jWENBVqs4IuSLCGlb_04164541!n720","big_src":"http:\/\/img15.artand.cn\/763314_FsqASyXRx07jWENBVqs4IuSLCGlb_04164541!n1200","k":"763314_FsqASyXRx07jWENBVqs4IuSLCGlb_04164541"},{"key":"763314_Fr0kNlyLUQ4LOdMgzScmuBdiMeaM_04164541","w":"3264","h":"1836","bj":"84a17b","src":"http:\/\/img15.artand.cn\/763314_Fr0kNlyLUQ4LOdMgzScmuBdiMeaM_04164541!n720","big_src":"http:\/\/img15.artand.cn\/763314_Fr0kNlyLUQ4LOdMgzScmuBdiMeaM_04164541!n1200","k":"763314_Fr0kNlyLUQ4LOdMgzScmuBdiMeaM_04164541"},{"key":"763314_FjhAx0SwTed5NyDAyVPaIUjZMYeh_04164538","w":"3264","h":"1836","bj":"84a17b","src":"http:\/\/img15.artand.cn\/763314_FjhAx0SwTed5NyDAyVPaIUjZMYeh_04164538!n720","big_src":"http:\/\/img15.artand.cn\/763314_FjhAx0SwTed5NyDAyVPaIUjZMYeh_04164538!n1200","k":"763314_FjhAx0SwTed5NyDAyVPaIUjZMYeh_04164538"},{"key":"763314_Frr1Bixl0LP-PbBrTEAw3xy3N5LC_04164540","w":"3264","h":"1836","bj":"84a17b","src":"http:\/\/img15.artand.cn\/763314_Frr1Bixl0LP-PbBrTEAw3xy3N5LC_04164540!n720","big_src":"http:\/\/img15.artand.cn\/763314_Frr1Bixl0LP-PbBrTEAw3xy3N5LC_04164540!n1200","k":"763314_Frr1Bixl0LP-PbBrTEAw3xy3N5LC_04164540"}],"mtime":1630745146,"content":"此作品展现单纯动物的瞬间状态，没有目的没有包袱。恰好那天去了宜家，记住了这个数字，并且以此命名《￥49》。曾2013.7参加韩国插画学会中国邀请展；2019.6在798《吐毛肉明天展》本人画展展出。<br\/>此画入选香港潮流杂志《BRAND》一书。","video_id":0,"num_liked":"6","num_comment":"0","user":{"uid":763314,"hide_name":"北京卖家","english_name":"Wonka","is_artist":0,"uname":"王程栩","cover":"763314_22134023","version":"19003749","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/763314_19003749!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A763314%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A299366%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"370"},{"id":598480,"uid":751310,"pics":[],"mtime":1764319349,"content":"疯狂动物城里让朱迪警官震撼不已的冰雪世界❄️<br\/><br\/>视频里类似雪花的图片是廿釉家冰晶瓷的放大图，🌨️<br\/>它的生长原理和雪花的生长原理是类似的，❄️<br\/>雪花是在极寒的环境下生长而成的，🧊<br\/>而廿釉冰晶瓷是在1360度的高温下自然生长而成🔥","video_id":65172,"num_liked":"0","num_comment":"0","video":{"poster":"http:\/\/img21.artand.cn\/artand1764319334027.mpg!n720","src":"http:\/\/img21.artand.cn\/artand1764319334027.mpg","w":1080,"h":1920,"id":65172,"is_rotate":0,"short_src":"http:\/\/img21.artand.cn\/artand1764319334027.mpg?start=0&end=5","duration":"68.00","frame":"0.000","mtime":1764319343,"key":65172},"user":{"uid":751310,"hide_name":"广东藏家","english_name":"","is_artist":0,"uname":"朱淑贞","cover":"751310_03034312","version":"25165115","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/751310_25165115!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A751310%7D","is_follow":"00"},"scheme":"artand:\/\/video\/list?args=%7B%22id%22%3A65172%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"2,367"},{"id":602978,"uid":1543,"pics":[],"mtime":1766413230,"content":"1-特殊之处: <br\/>企鹅，宇航员小鹿，深蓝色，玻璃材质，未来感，城市！<br\/>此系列是刘清路身上为数不多的符号的集合体。<br\/>去年的旧作修改，木板油画，丙烯，综合材料。<br\/><br\/>2-参加展览:<br\/>2026腾讯北京总部第二次个展同系列小作品。<br\/>国贸睿符个展《企鹅的金融》<br\/>中国美术馆 对面的画廊《七年之后的企鹅》<br\/>宋庄《火车里的企鹅》<br\/><br\/>3-价值系：<br\/><br\/>【刘清路作品2026年定价规则】<br\/>A\/一类\/精品代表作:每平方米6.8万）。<br\/>B\/二类\/系列个展创作:每平方米3.8万）。<br\/><br\/>C\/三类\/初创作品前两年——每平方米2.6万。<br\/><br\/>此作为C三类<br\/><br\/><br\/><br\/>4-系列由来:<br\/>众企成城\/概念系统系列分支。<br\/><br\/><br\/>5-自我评价:<br\/><br\/>一:技法（93分）未来感充足。<br\/>二，材料（76分）丙烯，油画材料。<br\/>三，辨识度（96分）辨识度还叫做风格，形式，符号。<br\/>企鹅，已属刘清路用了12年的成熟标识，上等。<br\/><br\/><br\/>四.概念（96分）。<br\/><br\/>场景描述：<br\/><br\/>每个表情都不一样，坚定，沉思，沉着——黑夜衬托这些脆弱却意志坚定的动物，或者说是人，每个人。<br\/><br\/>十年前开启我艺术IP之路的首个动物，企鹅。<br\/>也是刘清路出道的福将。<br\/>与腾讯的缘分，始于它。","video_id":65646,"num_liked":"2","num_comment":"0","video":{"poster":"http:\/\/img21.artand.cn\/1543_ltT1KhZ5rZW83X0dYpR2YJWWKC2m_22222009.mp4!n720","src":"http:\/\/img21.artand.cn\/1543_ltT1KhZ5rZW83X0dYpR2YJWWKC2m_22222009.mp4","w":1920,"h":1080,"id":65646,"is_rotate":1,"short_src":"http:\/\/img21.artand.cn\/1543_ltT1KhZ5rZW83X0dYpR2YJWWKC2m_22222009.mp4?start=0&end=5","duration":"52.27","frame":"0.000","mtime":1766413210,"key":65646},"user":{"uid":1543,"hide_name":"阿联酋藏家","english_name":"","is_artist":0,"uname":"刘清路","cover":"1543_09071320","version":"21141939","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/1543_21141939!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A1543%7D","is_follow":"00"},"scheme":"artand:\/\/video\/list?args=%7B%22id%22%3A65646%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"453"},{"id":639045,"uid":1111956,"pics":[{"key":"202608_1111956_Fuej97tGo6Rpp9XNx8WD1oHSnuuG_17221505.jpg","w":"1200","h":"1600","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202608_1111956_Fuej97tGo6Rpp9XNx8WD1oHSnuuG_17221505.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202608_1111956_Fuej97tGo6Rpp9XNx8WD1oHSnuuG_17221505.jpg!n1200","k":"202608_1111956_Fuej97tGo6Rpp9XNx8WD1oHSnuuG_17221505.jpg"},{"key":"202608_1111956_FnCN3q5GWPP56I1gA8rmM76IMUXS_17221506.jpg","w":"1200","h":"1600","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202608_1111956_FnCN3q5GWPP56I1gA8rmM76IMUXS_17221506.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202608_1111956_FnCN3q5GWPP56I1gA8rmM76IMUXS_17221506.jpg!n1200","k":"202608_1111956_FnCN3q5GWPP56I1gA8rmM76IMUXS_17221506.jpg"}],"mtime":1786976110,"content":"纸塑汉字是我独创纸艺，以八边形为基底，单纸折叠成型，不剪不裁，塑造立体汉字。<br\/>创作时并未刻意借鉴新会四大非遗，但完成的作品之中，能看见茅龙笔、剪纸、年画、葵扇独有的文化内涵：<br\/>如同茅龙笔承载汉字文脉，这件纸塑以纸张为载体勾勒汉字风骨；自带镂空结构，呼应剪纸留白通透的美感；层层折叠叠加的肌理，和年画堆叠出层次的思路不谋而合；纸张正反交错折叠的形态，又与葵扇葵片交错编织的特质相通。<br\/>不同于常规几何、动物折纸，整套工艺由我独自摸索而成，简约利落，可做展厅大型装置，也能做成文创钥匙扣，自然融汇本土非遗气韵，形成独一份的国风纸艺。","video_id":0,"num_liked":"0","num_comment":"0","user":{"uid":1111956,"hide_name":"广东省藏家","english_name":"","is_artist":0,"uname":"张氏纸塑汉字","cover":"","version":"15223336","is_audit":0,"audit_type":0,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/1111956_15223336!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A1111956%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A639045%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"23"},{"id":643612,"uid":1543,"pics":[],"mtime":1790033896,"content":"「咕咚来了」！！<br\/><br\/>——刘清路2025-2026最重要的作品图录<br\/><br\/>——战争见证者的十场展览 | 离开中东这一年，刘清路2026展览全记录<br\/><br\/>中东战争之后，十年迪拜生涯按下暂停键。2025年铺垫，2026年爆发。刘清路把所有积累，变成一场接一场的展览，一件接一件的作品。<br\/><br\/>2025年，大阪【惊蛰】首次日本个展，东京【未来·影·过去】三重时间并置，迪拜Finance·Nothingness虚拟货币与实体艺术交易实验，北京【EXIST|存在】私藏展，【沉默物系列】北京当代首秀，上海宇航员系列，中国美术馆对面跨年展「在秩序的边际遇见星辰」。<br\/><br\/>2026年，国贸开年展《众企成城》扩展版——悬挂腾讯北京总部主厅七年的代表作，完成入驻前最后一次亮相。胡同联展「未竟之域」，与康思琦十一年师生情谊并置。杭州三洲展览，《离子对撞\/右》《宇航员小鹿\/金色版》参展。东京国立新美术馆，《众企成城》从国贸走向国际。北京「天马行空」个展。佛山文创画展，《佛山塔》《一吨珍珠入港》《众志成城》亮相。<br\/><br\/>大湾区个展「一亿颗珍珠」，继企鹅IP、宇航员小鹿IP之后，「珍珠」成为最新创作母题。东莞漫博会，作品走进潮玩IP。湖州「蚕盘&amp;盾牌」桑竹七图，从海洋文明到江南丝织。苏州「空山清鹿」，宇航员小鹿走进江南空山。<br\/><br\/>年末，苏州·湾艺术馆「咕咚来了」跨年展，2026.12.19—2027.2月。<br\/><br\/>「咕咚来了」——果子掉进水里，所有动物开始奔跑，没人知道“咕咚”是什么，但所有人都在传播。刘清路是亲历过战争的人。2026年3月1日，迪拜棕榈岛被无人机炸。那颗果子，是无人机；那声“咕咚”，是爆炸；那些奔跑的动物，是每一个在信息与恐惧中奔跑的人。<br\/><br\/>从《众企成城》到《一亿颗珍珠》，从《空山清鹿》到《咕咚来了》。作品在变，母题在延续。<br\/><br\/>「咕咚来了」——不是童话，是寓言；不是恐惧，是追问；不是答案，是问题本身。<br\/><br\/>一年结束，展览继续。作品继续。<br\/><br\/>——刘清路<br\/>2026年，于苏州","video_id":71456,"num_liked":"0","num_comment":"0","video":{"poster":"https:\/\/vod-thumbnail.artand.cn\/1543_71456_0_ll691mNAXttTfN50ytUZ4OBzGeUO!n720","src":"https:\/\/vod.artand.cn\/v\/1543_ll691mNAXttTfN50ytUZ4OBzGeUO.mp4?v=3","w":892,"h":720,"id":71456,"is_rotate":1,"short_src":"http:\/\/img21.artand.cn\/1543_ll691mNAXttTfN50ytUZ4OBzGeUO_22073803.mp4?start=0&end=5","duration":"51.80","frame":"0.000","mtime":1790033884,"key":71456},"user":{"uid":1543,"hide_name":"阿联酋藏家","english_name":"","is_artist":0,"uname":"刘清路","cover":"1543_09071320","version":"21141939","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/1543_21141939!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A1543%7D","is_follow":"00"},"scheme":"artand:\/\/video\/list?args=%7B%22id%22%3A71456%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"1,283"},{"id":613011,"uid":750722,"pics":[{"key":"202602_750722_Fn1bxrfJoXSfbGZSqX6oVDNefoeb_21070440.jpg","w":"1001","h":"1199","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_Fn1bxrfJoXSfbGZSqX6oVDNefoeb_21070440.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_Fn1bxrfJoXSfbGZSqX6oVDNefoeb_21070440.jpg!n1200","k":"202602_750722_Fn1bxrfJoXSfbGZSqX6oVDNefoeb_21070440.jpg"},{"key":"202602_750722_Fu8LGe7tLoB90a67SY8xMI5Tus6u_21070439.jpg","w":"1188","h":"1000","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_Fu8LGe7tLoB90a67SY8xMI5Tus6u_21070439.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_Fu8LGe7tLoB90a67SY8xMI5Tus6u_21070439.jpg!n1200","k":"202602_750722_Fu8LGe7tLoB90a67SY8xMI5Tus6u_21070439.jpg"},{"key":"202602_750722_Fq6AgyiXF8lMWYHTQyTjrYKoCUY2_21070440.jpg","w":"1250","h":"1038","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_Fq6AgyiXF8lMWYHTQyTjrYKoCUY2_21070440.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_Fq6AgyiXF8lMWYHTQyTjrYKoCUY2_21070440.jpg!n1200","k":"202602_750722_Fq6AgyiXF8lMWYHTQyTjrYKoCUY2_21070440.jpg"},{"key":"202602_750722_Fjp5wJvUm0GRshe0OPS-Bbfjds-q_21070441.jpg","w":"1188","h":"1000","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_Fjp5wJvUm0GRshe0OPS-Bbfjds-q_21070441.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_Fjp5wJvUm0GRshe0OPS-Bbfjds-q_21070441.jpg!n1200","k":"202602_750722_Fjp5wJvUm0GRshe0OPS-Bbfjds-q_21070441.jpg"},{"key":"202602_750722_FhPxptNWOVqCOO0kMFXhHKQHO6Iy_21070440.jpg","w":"1000","h":"1218","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_FhPxptNWOVqCOO0kMFXhHKQHO6Iy_21070440.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_FhPxptNWOVqCOO0kMFXhHKQHO6Iy_21070440.jpg!n1200","k":"202602_750722_FhPxptNWOVqCOO0kMFXhHKQHO6Iy_21070440.jpg"},{"key":"202602_750722_Fl7RoCvX597KoLEo0xGKfoVLniuG_21070440.jpg","w":"1210","h":"1000","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_Fl7RoCvX597KoLEo0xGKfoVLniuG_21070440.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_Fl7RoCvX597KoLEo0xGKfoVLniuG_21070440.jpg!n1200","k":"202602_750722_Fl7RoCvX597KoLEo0xGKfoVLniuG_21070440.jpg"},{"key":"202602_750722_FgF_m-cgBGv_znitN1VindgZba3d_21070440.jpg","w":"1656","h":"1000","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_FgF_m-cgBGv_znitN1VindgZba3d_21070440.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_FgF_m-cgBGv_znitN1VindgZba3d_21070440.jpg!n1200","k":"202602_750722_FgF_m-cgBGv_znitN1VindgZba3d_21070440.jpg"},{"key":"202602_750722_FlNbheAFt6DAfAXOyFW6QYcrefAf_21070441.jpg","w":"1652","h":"1000","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_FlNbheAFt6DAfAXOyFW6QYcrefAf_21070441.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_FlNbheAFt6DAfAXOyFW6QYcrefAf_21070441.jpg!n1200","k":"202602_750722_FlNbheAFt6DAfAXOyFW6QYcrefAf_21070441.jpg"},{"key":"202602_750722_FiuXBx1nigBqafQUTZhRm-R-3YZB_21070441.jpg","w":"1000","h":"1233","bj":"84a17b","src":"http:\/\/img15.artand.cn\/202602_750722_FiuXBx1nigBqafQUTZhRm-R-3YZB_21070441.jpg!n720","big_src":"http:\/\/img15.artand.cn\/202602_750722_FiuXBx1nigBqafQUTZhRm-R-3YZB_21070441.jpg!n1200","k":"202602_750722_FiuXBx1nigBqafQUTZhRm-R-3YZB_21070441.jpg"}],"mtime":1771628805,"content":"万物有灵，爱入画境<br\/>              ——张虹绘画创作心得<br\/>    在创作这一系列作品时，我始终被一种强烈的情感驱动着，那就是对爱与生命的无限敬畏。我渴望用画笔打破现实的边界，将我对亲情、自然与世界的理解，编织成一个个既熟悉又梦幻的平行宇宙。<br\/>一、创作的初心：以爱为锚，重构世界<br\/>    我的创作灵感，大多源于与女儿相处的日常点滴。那些温柔的瞬间，如同一颗颗种子，在我心中生根发芽。我开始思考，如何将这份纯粹的母爱，从具象的生活场景中提炼出来，升华为一种更具普世意义的情感表达。<br\/>    于是，我尝试将家庭的温馨与广阔的自然融合。我把熊猫、老虎、长颈鹿、朱鹮等动物“请”进了画中，让它们与我们一同围坐、嬉戏、分享。这并非简单的拼贴，而是我内心愿景的投射——我希望构建一个没有隔阂、万物共生的理想国。在那里，人类不再是自然的主宰，而是与所有生命平等对话的伙伴。<br\/>二、技法的探索：色彩与线条，是情感的呼吸<br\/>在技法上，我刻意追求一种自由而充满生命力的表达。<br\/>色彩的交响：我偏爱使用饱和度高、对比强烈的色彩。这不仅是为了视觉上的冲击力，更是为了让情感直接迸发。无论是《星空下的方舟》中深邃的蓝，还是《朱鹮与猕猴桃》里温暖的橙，每一种颜色都承载着特定的情绪，共同奏响一曲生命的赞歌。<br\/>线条的舞蹈：我笔下的线条，不再是严谨的轮廓，而是充满动感和装饰性的“舞蹈”。它们像藤蔓一样缠绕、生长，将人物、动物与植物紧密地编织在一起，象征着万物之间不可分割的联系。这种风格，既是对中国民间艺术的致敬，也是我内心自由精神的外化。<br\/>三、画面的叙事：在超现实中，看见真实<br\/>我的每一幅画，都像一个微缩的剧场。<br\/>比如《红桌茶叙》：餐桌上，人类与斑马、熊猫、猴子共享美食，这是对“众生平等”最直观的诠释。<br\/>《老师》：篝火旁，长颈鹿、熊猫和孩子们围坐听老师讲故事，这是我对“人与自然和谐共处”的浪漫想象。<br\/>四、结语：画无止境，爱无止境<br\/>     绘画对我而言，是一场永无止境的修行。它让我不断地向内探索，也让我更深刻地理解这个世界。我会继续以爱为笔，以梦为马，在画布上构建更多充满生命力的世界，与每一位观者分享这份来自心底的温暖与力量。<br\/><a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E5%88%9B%E4%BD%9C%E8%BF%9B%E8%A1%8C%E6%97%B6\" class=\"tag\">#创作进行时<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E5%BC%82%E6%83%B3%E4%B8%96%E7%95%8C\" class=\"tag\">#异想世界<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E6%B2%B9%E7%94%BB\" class=\"tag\">#油画<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E8%AE%B0%E5%BD%95\" class=\"tag\">#记录<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E7%94%BB%E4%BA%8B%E7%82%B9%E6%BB%B4\" class=\"tag\">#画事点滴<\/a> <a href=\"https:\/\/app.artand.cn\/search\/bbs?q=%23%E7%83%AD%E7%88%B1%E5%8F%AF%E6%8A%B5%E5%B2%81%E6%9C%88%E6%BC%AB%E9%95%BF\" class=\"tag\">#热爱可抵岁月漫长<\/a>","video_id":0,"num_liked":"0","num_comment":"0","user":{"uid":750722,"hide_name":"四川藏家","english_name":"Iris","is_artist":0,"uname":"张虹","cover":"750722_26192055","version":"13213753","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/750722_13213753!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A750722%7D","is_follow":"00"},"scheme":"artand:\/\/bbs?args=%7B%22id%22%3A613011%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"138"},{"id":607306,"uid":1093432,"pics":[],"mtime":1768733613,"content":"这只黄杨木雕小兔子全球限量88只（我查了查所有的销售记录作者未售的可能还有最后几只了）且爱且珍惜，忍不住又拍了一只（一对不孤单）<br\/><br\/>小兔子以浑然天成的圆融体态与闭合双眼的宁静神情，超越了一般动物雕塑的写实范畴，升华为一种充满东方哲思的艺术意象。其形态并非对自然兔子的简单摹写，而是经由艺术家的心手，凝练为一种精神性的存在——它双耳虽竖，却无警觉之态；双目轻阖，反而透出内观般的澄明。微微上扬的嘴角与那颗悄然露出的小牙，在憨拙中藏着一丝若有若无的、属于生命的喜悦，仿佛沉浸在独与天地精神往来的自足境界中。<br\/><br\/>从造型语言上看，雕塑通体不见尖锐的棱角，线条从耳尖至足底流淌着温润的弧度，这种“圆”的哲学贯穿始终。它让人联想到中华美学中“充盈而和”的审美理想，形体饱满如蕴藏生机，木质的温厚与形体的浑朴相得益彰。立于花丛时，它非但不显突兀，反而似与草木共呼吸，体现了“天人合一”的传统造物观——艺术不是对自然的征服，而是谦逊的共处与诗意的点化。<br\/><br\/>细节处尤见匠心，耳廓内精微的纹理如叶脉般自然蔓延，脸颊饱满的弧度承载着木雕的温度，颈间那圈似衣领又似年轮的刻痕，更平添了一层文化隐喻，仿佛为这小小的生灵披上了一袭源自亘古时间的、无形的衣裳。底部有沈老师的落款，则如一个宁静的注脚，将当代人的创造悄然汇入悠久的工艺文脉。<a href=\"https:\/\/artand.cn\/uid\/1129144\" uid=\"1029144\" class=\"at\">@沈国雄<\/a>","video_id":66205,"num_liked":"2","num_comment":"0","video":{"poster":"https:\/\/vod-thumbnail.artand.cn\/1093432_66205_0_lqZexIAMoDFTQ2PH3Yol1fX5CWAG!n720","src":"https:\/\/vod.artand.cn\/v\/1093432_lqZexIAMoDFTQ2PH3Yol1fX5CWAG.mp4?v=3","w":1440,"h":1080,"id":66205,"is_rotate":1,"short_src":"http:\/\/img21.artand.cn\/artand1768733583040.mpg?start=0&end=5","duration":"20.12","frame":"0.000","mtime":1768733589,"key":66205},"user":{"uid":1093432,"hide_name":"缘起殊胜","english_name":"LilBuyer","is_artist":0,"uname":"缘殊仙人","cover":"1093432_09215816","version":"15154437","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/1093432_15154437!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A1093432%7D","is_follow":"00"},"scheme":"artand:\/\/video\/list?args=%7B%22id%22%3A66205%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"2,220"},{"id":603551,"uid":1543,"pics":[],"mtime":1766662625,"content":"1-特殊之处: <br\/>腾讯 北京总部 长城汇，定制版。<br\/>大概一周左右入驻腾讯北京总部\/入场前129600，入场后改为273600-估计十年之内不会拿回。<br\/>想一口价入手的藏家，可在一周内交易，还是原价。<br\/>可自藏，也可以以藏家的名义展入到腾讯北京总部展厅。<br\/>「众企成城」腾讯北京总部 最重要艺术品刘清路 作品 <br\/>Qing lu Liu \/lukas\/Works <br\/>\"United as One\" Tencent Beijing Headquarters <br\/>The Most Important Artwork<br\/>2-参加展览:<br\/>2019年，《一万只企鹅》腾讯特邀艺术家刘清路个展——腾讯北京总部大楼。<br\/>2017年，《HI BABY～2017刘清路世界巡回展》 —北京东风艺术区HIHEY艺术局。<br\/>2014年,参展《2014首届青岛国际艺术双年展》——青岛当代艺术馆。<br\/>3-价值系：<br\/>【刘清路作品2025年定价规则】<br\/>A\/一类\/精品代表作:每平方米6.6万）。<br\/>B\/二类\/系列创作:每平方米3.6万）。<br\/>C\/初创作品前两年——每平方米2.5万。<br\/>此作为A1类<br\/>4-系列由来:<br\/>圈层秩序\/概念系统系列分支。<br\/>5-总体评价:<br\/>技法，辨识度，概念，<br\/>各方面测评平均分为90分，属上等品。<br\/>细节评价:<br\/>一:技法（96分）未来感充足。<br\/>二，材料（86分）木炭，丙烯，油画材料。<br\/>三，辨识度（90分）。<br\/>辨识度还叫做风格，形式，符号。<br\/>企鹅，已属刘清路用了12年的成熟标识，上等。<br\/>四.概念（96分）。<br\/>场景描述：数以万计的蓝色玻璃企鹅从长城向观者走来，运用构图的巧妙安排，未来，科技，浪漫的气息产生了剧烈而震撼的视觉冲击力。<br\/>每个表情都不一样，坚定，沉思，沉着——黑夜衬托这些脆弱却意志坚定的动物，或者说是人，每个人。<br\/>名字为众企成城，隐喻众多如腾讯一样的企业，组成了现代化中国的长城。<br\/>正昂首挺胸创造新的东方文化，中华民族的伟大复兴。<br\/>2014出国前的最后一系列作品，也是我2019年首次腾讯北京总部个展的代表作。<br\/>如今依旧展于腾讯北京总部二楼主厅！<br\/>它已陪伴鹅场度过了六年！","video_id":65728,"num_liked":"1","num_comment":"0","video":{"poster":"http:\/\/img21.artand.cn\/1543_lvOFHCpNM_PQPtNYfGBHi5kOe-eQ_25193701.mp4!n720","src":"http:\/\/img21.artand.cn\/1543_lvOFHCpNM_PQPtNYfGBHi5kOe-eQ_25193701.mp4","w":1474,"h":1080,"id":65728,"is_rotate":1,"short_src":"http:\/\/img21.artand.cn\/1543_lvOFHCpNM_PQPtNYfGBHi5kOe-eQ_25193701.mp4?start=0&end=5","duration":"48.10","frame":"0.000","mtime":1766662623,"key":65728},"user":{"uid":1543,"hide_name":"阿联酋藏家","english_name":"","is_artist":0,"uname":"刘清路","cover":"1543_09071320","version":"21141939","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/1543_21141939!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A1543%7D","is_follow":"00"},"scheme":"artand:\/\/video\/list?args=%7B%22id%22%3A65728%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"9,654"},{"id":640104,"uid":1543,"pics":[],"mtime":1787740435,"content":"2026深入访谈\/<br\/>从企鹅IP到千万级市场：刘清路谈艺术创作的“四阶蜕变”与商业底层逻辑<br\/>采访、撰文 \/ AnneXu<br\/>受访人 \/ 刘清路（当代艺术家）<br\/><br\/>二十余年艺术生涯，从文字转译到企鹅IP，再到《圈层秩序》与《巨型沉默物》，刘清路完成了一场从直觉表达到哲学思辨的深度进化。<br\/>与此同时，他从一个“无人问津”的创作者，成长为作品单价突破百万、年销售额达千万级的市场型艺术家。<br\/>2025年美伊战争期间，他在迪拜山顶完成了对抗虚无主义的《西西弗斯计划》，将金色雕塑推上山顶再任其滚落——这件行为艺术作品，成为他回应时代情绪的又一力作。<br\/>在迪拜、北京、上海之间穿梭的他，如何看待艺术与商业的共生关系？又如何理解当下中国艺术界的结构性变化？这一次，我们聊了三个小时。<br\/>01 | 四阶段心路：从“文字母体”到“巨型沉默物”<br\/>AnneXu：很多艺术家不愿意把自己的创作路径拆解得这么清晰，但你却主动划分了四个阶段。为什么？<br\/>刘清路：因为每一个阶段都是一次“生死突围”。其实是自己对自己的生命记录。<br\/>第一阶段，我称之为“直觉转译与文字母体”。<br\/>我从小对自然变化特别敏感，森林里的四季、光影、风的方向，这些东西对我来说就是一种原始的语言。我从小学三年级开始每天写日记，一写就是七年，文字成为我最早的表达母体，也尝试过写剧本、做导演。但最后发现，文字对我来说是母体，而绘画是我把母体转译成视觉的方式。<br\/>AnneXu：所以文字是你所有创作的起点？<br\/>刘清路：对。我的画里一直有一种“叙事性”，哪怕后来画企鹅，也不是单纯画一只动物，而是在讲故事。<br\/>第二阶段是“IP构建与商业破局”。2012年到2013年，艺术电商刚刚起来，我做了两件事：第一，选了企鹅作为核心IP——因为它直立行走，有拟人化的天然优势；第二，大量上传作品，占领平台流量。那叫“互联网圈地运动”。结果就是从无人问津到“逢投必中”。<br\/>AnneXu：听起来像一场精准的互联网战役。<br\/>刘清路：没错。2019年跟腾讯合作个展，价格从1万跳到10万。疫情那两年，大家都在线上，我在Artand上做到了百万级销售额。那不是运气，是提前布局。<br\/>第三阶段是“世界观构建与圈层秩序”。我从农村到县城、到省会、到北京、再到迪拜，这四级跳让我对社会结构特别敏感。于是创作了《圈层秩序》系列，把社会分成8个类别——民族、战争、国际关系等。2023年在宋庄当代艺术文献馆做展，单幅作品突破百万。<br\/>第四阶段是“生命哲思与巨型沉默物”。2008年父亲去世，那是个巨大的创伤。我未能见到他最后一面，那种遗憾和愧疚经过10年的沉淀，在迪拜期间转化为《巨型沉默物》系列，主体颜色是深灰，搭配各种灰色组合，那种虚无和阴冷，源于对父亲的念想，探讨生命、死亡和文明的沉默。<br\/>AnneXu：听起来每个阶段都有一次“外部事件”在推动你。<br\/>刘清路：嗯，艺术家的成长，从来不是内部进化，而是被现实逼出来的。<br\/>02 | 美伊战争期间的《西西弗斯计划》<br\/>AnneXu：2025年美伊战争期间，你在迪拜做了《西西弗斯计划》，能详细讲讲吗？<br\/>刘清路：2025年，美伊冲突升级，整个中东地区笼罩在战争的阴影下。那段时间，我在迪拜的工作室窗外，每天都能看到关于战争的新闻。与此同时，全球经济下行，艺术市场也陷入低迷。<br\/>我一直在思考一个问题：当外部世界陷入混乱，个体该如何自处？疫情、战争、经济危机——这些宏大的外部事件让个体变得渺小，虚无主义情绪蔓延。就像我在《巨型沉默物》系列创作手记中写的：“起死回生的世界，呈现的是残破的山，剩余的水。这些时间促成的人类族群的事件，仿若巨型沉默物，横跨在时空之中。无言，静默，却有着无可撼动的永恒感。”<br\/>于是我想到了西西弗斯——那个被诸神惩罚，永远推石上山、石头又永远滚落的希腊神话人物。加缪说，西西弗斯是幸福的，因为“登上顶峰的斗争本身足以充实人的心灵”。<br\/>我把一尊金色雕塑推上迪拜的山顶，然后让它滚落下来。这个行为本身是对“推石上山”神话的具象化呈现，也是对虚无主义的直接回应——承认荒诞，依然前行。<br\/>AnneXu：为什么选择在战争期间做这个作品？<br\/>刘清路：正因为战争让人们感到无力。我需要用行动告诉大家：即便在看似徒劳的重复中，人依然可以选择自己的态度。这是迪拜给我的启发——这座沙漠中凭空建起的城市本身，就是对“虚无”最有力的对抗。<br\/>03 | 商业逻辑：故事是宗教，金钱是数值链接<br\/>AnneXu：很多人对“艺术商业化”有偏见，但你似乎很坦然地接受甚至拥抱它。<br\/>刘清路：因为我不把商业当敌人，我把它当作“传播的加速器”。<br\/>艺术IP的本质是什么？是构建一个像宗教或国家一样的叙事。基督教、儒家、道家，本质上都是“讲了一个好故事”，然后让人相信。<br\/>当代艺术也一样。<br\/>AnneXu：那金钱在其中扮演什么角色？<br\/>刘清路：金钱是“数值链接”。一个普通人看不懂一幅画，但他看得懂拍卖行上的数字。100万、1000万——那个数字帮他快速“理解”了这个艺术品的价值。金钱不是目的，但它是连接艺术和大众最短的那座桥。<br\/>AnneXu：你提到比特币的例子，能展开说说吗？<br\/>刘清路：比特币的叙事是“去中心化”，很酷、很有反叛精神。但最后它被主流资本“收编”了——这就是当代艺术的典型路径：你先用边缘叙事吸引注意力，然后被主流体系接纳，价格上升，市场扩大。这不是背叛，是成熟。<br\/>04 | 行业趋势：三大现象与地域性未来<br\/>AnneXu：站在2026年，你怎么看当下的中国艺术界？<br\/>刘清路：有三个现象特别值得关注。<br\/>第一，“质感团体”崛起。80后、90后艺术家用极致的写实技术，画玻璃、不锈钢、气球、水珠——他们用技术建立壁垒。这是一种“硬核”的突围方式。<br\/>第二，女性藏家与艺术家抬头。全球女权主义浪潮推动了这一点。我预测如果美国出现女性总统，女性艺术市场会迎来新一轮爆发。这不是政治，是结构性的消费力转移。<br\/>第三，虚无主义下的精神消费。你看现在年轻人追捧打破规则的文艺作品，这跟100年前欧洲战后的虚无主义情绪一模一样。经济下行期，人们需要精神上的“出格”。而《西西弗斯计划》正是对这种时代情绪的艺术回应。<br\/>AnneXu：你长期在迪拜和中国之间往返，地域性对你的创作影响大吗？<br\/>刘清路：迪拜在石油之前是珍珠采集地，文化里带着海盗和殖民地的双重基因。那种“从无到有”的野蛮生长感，跟中国的农耕文明完全是两套逻辑。<br\/>05 | 语言即世界，记录即世界<br\/>AnneXu：你刚才提到地域文化被什么记录下来？<br\/>刘清路：语言文字。语言和艺术本质相同，都是记录人类文化集合的载体，让我们能用千年的智慧对抗当下。<br\/>维特根斯坦说“语言即世界”——这有两个方向：一是千年的文字记录形成了地区的文化习惯；二是每个人对世界的表达，只要未被语言记录，就等于不存在。所以，一个地区的语言决定其艺术表达模式。语言即世界，艺术直觉即世界。未来的人看见的世界，正是我们今天输出的文化记录，包括艺术记录。<br\/>AnneXu：最后一句话总结二十年艺术生涯？<br\/>刘清路：艺术不是表达，是生存。每一次风格转变，都是一次活下来的选择。而商业，是让你活下来后被更多人看见的方式。<br\/>采访后记<br\/>三个小时的对话中，刘清路展现出一种罕见的清醒——既不神化艺术，也不贬低商业，而是把两者当作同一件事的两面：传播与共鸣。从直觉转译到语言即世界，从企鹅IP到《西西弗斯计划》，整篇访谈始于故事，终于哲思，首尾相连。","video_id":70724,"num_liked":"0","num_comment":"0","video":{"poster":"https:\/\/vod-thumbnail.artand.cn\/1543_70724_0_lgYRDu2EhMqgTNJOgLJa6qbzUFyf!n720","src":"https:\/\/vod.artand.cn\/v\/1543_lgYRDu2EhMqgTNJOgLJa6qbzUFyf.mp4?v=3","w":1080,"h":1920,"id":70724,"is_rotate":0,"short_src":"http:\/\/img21.artand.cn\/1543_lgYRDu2EhMqgTNJOgLJa6qbzUFyf_26183352.mp4?start=0&end=5","duration":"23.30","frame":"0.000","mtime":1787740432,"key":70724},"user":{"uid":1543,"hide_name":"阿联酋藏家","english_name":"","is_artist":0,"uname":"刘清路","cover":"1543_09071320","version":"21141939","is_audit":0,"audit_type":1,"is_official":0,"is_kill":0,"profession_type":0,"src":"https:\/\/img1s.artand.cn\/1543_21141939!c200","scheme":"artand:\/\/user\/index?args=%7B%22id%22%3A1543%7D","is_follow":"00"},"scheme":"artand:\/\/video\/list?args=%7B%22id%22%3A70724%2C%22_args%22%3A%5B%5D%7D","work_type":"7","num_view":"644"}],"last_id":0,"duration":0.08844304084777832}